Tejaswini Apte-Rahm’s novel The Secret of More is set in the Bombay of the early 20th century, when the motion picture industry was being born and the seismic political changes that shaped the age of democracy and nationalism were underway
Category: Books and Arts
Once Upon a Library
I dream most often of my grandmother. But these days, the image of my grandfather’s study keeps visiting me
Shabaash Mithu, and the Hindi film’s inability to handle micro-humiliations
Shabaash Mithu acknowledges what I found to be the sportswoman’s main problem in India—the un-seeing of women’s sport as proper sport. The un-seeing of women as equal citizens. The result is a thousand daily indignities, such as no money to travel, no international exposure, hand-me-down uniforms of the men’s team, bureaucratic scorn. The story of women’s sport is a search…
The Courtesan, the Sportsperson and the Desires of the Nation
The courtesan, a long-time fascination of Hindi cinema, is being replaced by the sportsperson. Corporeal labour and the art of sports is the kind of performance that the politics of post-2000 India celebrates. The courtesan represents women in pre-modern India, the sportsperson represents the ideal citizen of contemporary India. In particular, the sportswoman In the book Dancing with the Nation,…
Why Does the Muslim Woman Need Saving in Hindi Film?
The Muslim man has been recast as a beast in mainstream blockbusters. But the Muslim woman we see in projects like Special Ops, War or Bajrangi Bhaijaan is either infantilised or simply erased In Special Ops, the web series by Bollywood director-producer Neeraj Pandey, there are two Muslim women characters with speaking roles among a dashboard of bloodthirsty Muslim men…
Hindi Film’s Crush on the Intelligence Services
Over the past decade and a half, the Neeraj Pandey brand of thriller has given to Bollywood what Hollywood has done for the CIA: romanticising the Intelligence Bureau. Later films like War have sexed up this formula Fifty days after the Pulwama terrorist attack, acknowledged as an intelligence failure even by the BJP-appointed governor of Jammu and Kashmir, the Hindi…
Nine Rays of Incandescence
Nine moments from Ray’s cinema that I return to again and again 1. When Arati’s (Madhabi Mukherjee’s) colleague Edith (Vicky Redmond ) teaches her to apply lipstick in the office bathroom in Mahanagar. The mirror catches the unexpected friendship between a Bhadralok school master’s daughter-in-law on her first job and the ‘smart’Anglo-Indian ‘office girl’ 2. When Shamalendu (Barun Chanda) offers…
Indian cinema legend Soumitra Chatterjee’s death spotlights end of art film era
Chatterjee worked closely with late Oscar-winning director Satyajit Ray, one of the most influential artists of the 20th century. Worked his entire life in the Bengali film industry, eschewing the more lucrative Bollywood Noted Hollywood director Martin Scorsese once said the four most influential auteurs of the 20th century were India’s Satyajit Ray, Japan’s Akira Kurosawa, Italy’s Frederico Fellini and…
The Rehabilitation Scheme for Colonial Statues
How India Quietly Removed the British Colonists from Their Pedestals On the river banks in Barrackpore, a sweltering town some 30km from Kolkata, the statues of 13 dead British men stand high above the ground on brick-red plinths. One is made of marble and 12 are made of metal, but they all have the identical distant gaze – instantly recognisable…
The Unpaid Labour of Housewives
The Bengali films Tasher Ghawr and The Lovely Mrs Mukherjee show the domestic servitude written into subcontinental marriages Some days after Prime Minister Narendra Modi locked us down on 25 March with the battle analogy of the 18-day Kurukshetra war, the celebrity housework videos began. Then, the men who did not have cameras installed for easy recording provided dishwashing updates, and…