A Handful of Stories

Reportage on health, science and politics. And some meditations on film

Author: sohinichattopadhyay

Satyajit Ray and the Case of the Missing Women

Ray’s cinema is known for its magnificent portrayal of the inner lives of women. But Ray the writer, whose legacy of young adult stories in Bengali is even greater than his films, has a pathological absence of women in his books. What might this chronic exclusion amount to in the minds of his fans?

Trauma Has No Expiry Date

In the aftermath of a prominent Bengali director of plays and films being criticised for casting an actor-director accused of sexual predation, theatre practitioner Shuktara Lal reflects on the impact of trauma on stage artistes. And what genuine allyship might look like.

[Trigger warning: sexual assault, child sexual abuse]

Shabaash Mithu, and the Hindi film’s inability to handle micro-humiliations

Shabaash Mithu acknowledges what I found to be the sportswoman’s main problem in India—the un-seeing of women’s sport as proper sport. The un-seeing of women as equal citizens. The result is a thousand daily indignities, such as no money to travel, no international exposure, hand-me-down uniforms of the men’s team, bureaucratic scorn. The story of women’s sport is a search…

The Courtesan, the Sportsperson and the Desires of the Nation

The courtesan, a long-time fascination of Hindi cinema, is being replaced by the sportsperson. Corporeal labour and the art of sports is the kind of performance that the politics of post-2000 India celebrates. The courtesan represents women in pre-modern India, the sportsperson represents the ideal citizen of contemporary India. In particular, the sportswoman In the book Dancing with the Nation,…